{"id":675,"date":"2020-05-17T10:24:46","date_gmt":"2020-05-17T16:24:46","guid":{"rendered":"http:\/\/www.iscampos.com\/?page_id=675"},"modified":"2024-09-22T08:29:45","modified_gmt":"2024-09-22T14:29:45","slug":"scholarship","status":"publish","type":"page","link":"http:\/\/www.iscampos.com\/?page_id=675","title":{"rendered":"Scholarship"},"content":{"rendered":"

Edited Books\"\"<\/a><\/span><\/h3>\n

Ecopoetics and the Global Landscape: Critical Essays, <\/i>edited by Isabel Sobral Campos. Lanham, MD: Lexington Books, 2018.<\/span><\/a><\/p>\n

Articles<\/span><\/h3>\n

“Then A Fly Appeared: The Aesthetics of Buzzing Lyrics.” Annulet: A Journal of Poetics, no. 3, April 2022.<\/a><\/p>\n

\u201cThe Ecology of Kandinsky\u2019s Abstraction: A Trembling World of Beings and Things.\u201d\u00a0<\/span>Symplok\u0113, <\/i>vol. 26, no. 1-2, 2018, pp. 237-250.<\/span><\/a><\/p>\n

\u201cNature\u2019s Deterioration: Pascal\u2019s Experiments with the Vacuum Revisited.\u201d Interdisciplinary Studies in Literature and Environment (ISLE), <\/i>vol. 25, no. 2, 2018, pp. 238\u2013256.<\/span><\/a><\/p>\n

\u201cThe Haunted House of Nature\u2014Immanence\u2019s Infinity.\u201d The Emily Dickinson Journal, <\/i>vol 25, no.1, 2016, pp. 57-82. <\/span><\/a><\/p>\n

\u201cFutureless Invention: Frampton\u2019s Finite-Infinite Film.\u201d Quarterly Review of\u00a0<\/i><\/span>Film and Video, <\/i>vol. 33, no. 3, 2016, pp. 1-21.<\/span><\/a><\/p>\n

\u201cGrimonprez\u2019s Chimera.\u201d Evental <\/i>Aesthetics, vol. 1, no. 2, 2012, pp. 81-87.<\/span><\/a><\/p>\n

Book Chapters<\/span><\/h3>\n

\u201cIntroduction: Trans-National Ecopoetics.\u201d Ecopoetics and the Global Landscape: Critical Essays<\/i>, edited by Isabel Sobral Campos. <\/i>Lanham: Lexington Books, 2019, pp. ix-xvii.<\/span><\/p>\n

\u201cThe Ecology of Metaphor: Will Alexander\u2019s Exobiology as Goddess.\u201d Ecopoetics and the Global Landscape: Critical Essays<\/i>, edited by Isabel Sobral Campos. <\/i>Lanham: Lexington Books, 2019, pp. 225-252.<\/span><\/p>\n

Book Reviews<\/span><\/h3>\n

\u201cPower-Lined: Electricity, Landscape, and the American Mind by Daniel L. Wuebben.\u201d University of Nebraska Press. Configurations<\/i>, vol. 28, no. 3, Summer 2020, pp. 393-394.<\/a>
<\/span><\/p>\n

\u201cAncient Christian Ecopoetics: Cosmogonies, Saints, Things.\u00a0By Virginia Burrus.\u201d\u00a0<\/span>Environmental History<\/i>, vol. 24, no. 4, October 2019, pp. 817\u2013819.<\/span><\/a><\/p>\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Edited Books Ecopoetics and the Global Landscape: Critical Essays, edited by Isabel Sobral Campos. Lanham, MD: Lexington Books, 2018. Articles “Then A Fly Appeared: The Aesthetics of Buzzing Lyrics.” Annulet: A Journal of Poetics, no. 3, April 2022. \u201cThe Ecology of Kandinsky\u2019s Abstraction: A Trembling World of Beings and Things.\u201d\u00a0Symplok\u0113, vol. 26, no. 1-2, 2018, pp. 237-250. \u201cNature\u2019s Deterioration: Pascal\u2019s Experiments with the Vacuum Revisited.\u201d Interdisciplinary Studies in Literature and Environment (ISLE), vol. 25, no. 2, 2018, pp. 238\u2013256. \u201cThe Haunted House of Nature\u2014Immanence\u2019s Infinity.\u201d The Emily Dickinson Journal, vol 25, no.1, 2016, pp. 57-82. \u201cFutureless Invention: Frampton\u2019s Finite-Infinite Film.\u201d […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-675","page","type-page","status-publish","hentry","clearfix"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P9vNxf-aT","jetpack_likes_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"http:\/\/www.iscampos.com\/index.php?rest_route=\/wp\/v2\/pages\/675"}],"collection":[{"href":"http:\/\/www.iscampos.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.iscampos.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.iscampos.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.iscampos.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=675"}],"version-history":[{"count":8,"href":"http:\/\/www.iscampos.com\/index.php?rest_route=\/wp\/v2\/pages\/675\/revisions"}],"predecessor-version":[{"id":743,"href":"http:\/\/www.iscampos.com\/index.php?rest_route=\/wp\/v2\/pages\/675\/revisions\/743"}],"wp:attachment":[{"href":"http:\/\/www.iscampos.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=675"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}